Pietro, a wealthy construction engineer who’s a widow, remarried with Cristina. Francesca has an affair with Pietro and Cristina catches them, she decides to leave Pietro and goes back to live with her mother. Pietro has two children: Marco from the first wife who’s now a cocaine addict; and Martina who’s still lives with him. Pietro is always out and busy at work and he’s not giving attention to his teenage daughter. Martina due to the relationship with her father falls as well into drug addiction. When Pietro realizes he’s about to lose his daughter becomes closer to her and understands that nothing is more important than the love of Martina.

When a diamond heist goes wrong, the three would-be robbers go on the run from the law. They soon find themselves involved with a beautiful woman who may wind up being even more trouble for them than the botched robbery.

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Angelo has been drafted into the Italian Army in World War II. He does not like people shooting at him, so he tries all sorts of tricks to avoid being caught up in the action. However, events always seem to lead him back to the fighting.

Jack Altieri, a young Italian-American restaurant owner, arrives at Vesta awaits him a painting of the sixteenth century that depicts the veiled face of Medea of Carpi, noble woman processed to witchcraft. Shortly after the arrival of Jack, a country girl is killed in a mysterious way, dropping the suspicions of the Commissioner Gianzi on the young restorer, who is soon advised to not complete the work on the opera, because it would hide an ancient curse.

When Angelo, a friendly but mysterious stranger, arrives unexpectedly in a house in London, life for its occupants is never quite the same again. Although Angelo means well, his over-eager enthusiasm, coupled with his weird inventions, often leads to strange and chaotic events disrupting the smooth running of the house - with nobody ever quite knowing what havoc will hit them next!

The TV-play from the set of Inferno at "Strindbergs Intima Teater", directed by Anna Pettersson and with Siri Hamari in the role of Strindberg, is a lively tale of boundless dreams and frightening fantasies. With the help of magic, music effects and film, Strindberg's portrayal of the creative crisis and the search for new forms. During Strindberg's chaotic time in France and Austria in 1894-1896, his so-called Inferno year, he performed alchemical experiments, tore his hands and suffered hallucinations. In the village where he closes in, he is called the cuckoo. In another country, a little daughter is waiting for her father. This version has been called an "age performance", performing arts that suit all ages. And the finely nuanced and detailed presentation would surely have appealed to the scientist Strindberg.

Satomi is a research student who travels to northern Japan seeking reported olden Christian relics. On the island of Hokkaido and in a village, odd deeds are occurring. As such, she bands together with another researcher and locals to uncover the truth and understand the infernal happenings of which there are many.

August Strindberg in Paris divorced from his wife, children and friends. In the company of Parisian artists and writers, including Paul Gauguin and Edvard Munch, but often he feel they ridicule and persecute him. Isolated Strindberg venture successfully in alchemical experiments.

A woman awakens from a horrible nightmare. But the nightmare is real. Trapped within a decrepit, run-down motel, the woman begins to piece together the horror she faces, only for creaking doors, broken glass, a rifle and a fateful encounter in the backseat of her car to bring her face-to-face with a monster from hell.